Growing Fangs: How "Ginger Snaps" Ties Puberty to Werewolves
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.

Rich heiress Man Yu-sau disguises as a flower peddler in search of a genuine lover; her poor cousin Man Bik poses as a rich heiress to ensnare a husband. The two fall in love with the Wu brothers Lap-ming and Lap-tak respectively. The Wu matriarch despises Yu-sau for her humble background. However, Lap-ming elopes to marry her while Lap-tak marries Bik. The disguises are duly exposed, to the mother's embarrassment.
John Fawcett’s "Ginger Snaps" intertwines the lore of the werewolf to the hellish experience of a young girl going through puberty.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
A concert film with original recording of the most iconic event in pop culture in 2023.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.