Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
After the 2018 surprising hit "A Quiet Place" brought something fresh to the horror genre, the announcement of a sequel may have been disappointing to some. A lot of the time, a sequel to an already successful movie is no where near as good as the original. Yet, John Krasinski once again shows that he's much more than Jim from The Office.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
As a frequent “the book was better” extoller, this movie was well worth the watch.
