A Useful Ghost: A New Modern Classic
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.

THE MATTRESS MAN tells the story of Guerrino, a man who chose to live his life without ever getting out of bed. The story is set in the 1990s and is told using the style and graphics of interviews from that era, enhanced by footage shot in Betacam format.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
It’s not often in America that you turn on the TV and see a show or a movie with a Muslim protagonist. And when they do, they're usually a negative stereotype. Ms. Marvel changes all of that.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.