In the waning days of summer 1931, Honolulu's tropical tranquility was shattered when a young Navy wife made a drastic allegation of rape against five nonwhite islanders. What unfolded in the following days and weeks was a racially-charged murder case that would make headlines across the nation, enrage Hawai'i's native population, and galvanize the island's law enforcers and the nation's social elite.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
While it initially sounds nothing like 'Nope,' the focus on recording/sharing everything—especially trauma—for profit makes Hulu's 'Not Okay' similar to Jordan Peele’s newest movie.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
