'One Missed Call': When an Onryō Goes Digital
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.

It’s winter holidays and fourteen-year-old Ana discovers that the metal plate she has in her arm from an accident she suffered as a child is now receiving a strange message in Morse code.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
Lucifer is a show with both comedy and drama, but most importantly, has charm. Well aware it’s following a silly premise, the show does so in a way that’s entertaining. Sure, sometimes it can be cheesy, but fun cheese.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.