"Waves" Goes the Wrong Direction in Racial Depiction, Despite Its Intent and Beauty
Spoiler Warning

Suzhou is a city where the ancient and the modern co-exist. For more than 2,500 years, the city has passed down a large number of intangible cultural heritages, including lantern painting, nuclear carving, Song brocade, Ming furniture, boat dots, Suzhou embroidery, Xiangshan gang construction, woof silk and jade carving. The film tells the story of the past lives of these nine crafts and the tender stories that occur between the inheritors and their crafts from the perspective of 12 representative inheritors.
Spoiler Warning
The live-action remake of the classic Disney film based on a wooden puppet is finally here.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.