What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.

August 1914. While the German army is gaining ground in the North of France, four boys aged 10 to 15, LUcien, LUcas, LUigi and LUdwig are left behind during the evacuation of their orphanage. Without the protection of Abbé Turpin and the schoolteacher Leutellier, the Lulus are now stranded on their own behind the enemy front line. Soon joined by LUce, a pretty young girl separated from her parents, they decide to reach the neutral country of Switzerland by all means possible... they embark on an adventure for which nothing and no one has prepared them!
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Jordan Peele's turn to horror with "Get Out" isn't as unexpected as it may seem. He primed his fans for a disturbing and nuanced exploration of racism with his work on "Keanu" and "Key & Peele."
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Disney remakes have often gotten a bad rap for their consistent reliance on the originals and overuse of CGI. However, Mulan is a remake that is able to transcend beyond Disney's other remakes with a confident and bold earnestness.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.