Richard Dix, a displayer in a department store, enters a raffle and wins the so-called 'hoodoo' bad-luck automobile formerly owned by the store owner's son, a soul seemingly always in trouble with cops and women. Well, suddenly Dix begins to have the same problem, only he also gets mixed up in the life of Esther Ralston and her Aunt Edna May Oliver. Hilarious misunderstandings and undertakings become the fodder for the day!
It’s no wonder Peele won an academy Award for Best Original Screenplay. His script is layered with perspective and subtlety. Through a terrific vision, Peele creates the gift that keeps on giving. The clues and symbolic representations are aplenty, and as each viewing passes, you are destined to find something new. That’s a mark of great cinema.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
