Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

One of the most conceptually original of all the films that Ken Russell made for Monitor, this imagines an expedition of alien archaeologists (represented only by the soundtrack commentary) examining various artefacts strewn along a stretch of Britain's coastline and musing on their possible significance.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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