The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.


The world seems to be getting more and more unsafe for transgender people. Varying legislation in the USA and the UK are having negative impacts on the mental health of trans people. From making gender-affirming healthcare less accessible to not acknowledging pronouns, the world seems to be hyperfocused on attacking people who aren’t cisgender. Though adults are unfortunately often the victims of hate crimes, the toll isn’t less on children. They aren’t allowed to claim different identities from what they’re assigned at birth, and often even lack the resources required to understand how they’re feeling. There are severe efforts being made to hide awareness that some people are transgender, feeling a different gender identity that does not align with their expected gender and birth sex. This causes children with trans identity to grow up with a lot of resentment for themselves. Films can often alleviate this alienation by presenting realities where these feelings are shared by characters. These film can be interpreted as transgender stories. Animation as a storytelling medium crosses all ages and backgrounds, making them prime vehicles to explore complicated themes.

This colorful adventure tells the story of an impetuous mermaid princess named Ariel who falls in love with the very human Prince Eric and puts everything on the line for the chance to be with him. Memorable songs and characters -- including the villainous sea witch Ursula.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
A young boy who runs away from home discovers friendship when he befriends a young dragon in this animated movie.