Review: 'Dashing in December' Exceeds Admittedly Low Expectations
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.

A man who owns a diamond importing business goes out for a night on the town with his girlfriend, her brother and her brother’s fiancé. The group stops by a circus to see the act of a trapeze artist who’s a friend of the man’s girlfriend. The performer suggests that all the men go out for a few drinks, and the next thing the businessman knows, he’s waking up in his apartment with a terrible hangover and a dead body in his room.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
A dynamic journey of self-acceptance and identity.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
Seven years after George Miller's previous film, 'Mad Max: Fury Road', he dives back into the scene with an equally daring movie. Although not nearly as action-packed, his newest film 'Three Thousand Years Of Longing' challenges the typical format of a film, giving you a well-known plot in an unexpected way.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.