The Relentless Victimization of Marilyn Monroe in "Blonde"
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.

Russia, the late 19th century. As the threat of war with Great Britain looms, a mysterious device—a mechanical flea—is discovered within the Imperial Palace. Tasked with investigating the incident is a young officer, Pyotr Ogaryov, who dreams of earning the trust of Tsar Alexander III. In his quest for the truth, he joins forces with Lefty, a brilliant but forgotten master craftsman from Tula. Together, they plunge into a world of intrigue and danger. To uncover a conspiracy, the two heroes must challenge the established order, unravel family secrets, and make a difficult choice between duty and passion. The security of the nation—and their own destinies—hang in the balance.
'Blonde' commits a relentless assault on the autonomy of Marilyn Monroe, reducing the icon to nothing more than a victim of the director's whims.
Like millions around the world, I've been waiting four years for the renowned #SnyderCut. I'll never forget sitting in the theater on opening night, witnessing a CGI mouth on Henry Cavill's face about five seconds into Justice League. That's a thing of nightmares if I must say. Anyways, right then and there, I knew I desperately needed Zack Snyder's film.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
Like most young people, Leviticus is imperfect. But I love it anyways.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Dora is the superhero we didn't know we needed.