Danny Breznitz, late 40s, a detective in the Tel Aviv Police, is hospitalized following a near-fatal car accident. His relationship with his sexy mistress, Eva, early 30s, is falling apart, and his obsession with her is pushing Eva even further away. Living in the same apartment with Ruthie, his wife, are the only remains of their childless marriage. Following convalescence, Breznitz is handed an insignificant case by his hostile superior which he considers beneath him. But when an unknown body is found in the woods, and nobody cares, Dani finds a cause he can believe in. He makes a tour-de-force of Israel's "low- life" – an Arab intellectual who wants to admit to a murder he has not committed, a prostitute turned hairdresser, a pimp who poses as a born-again Jew, a homosexual artist who was excommunicated by his parents. The journey becomes an obsession that threatens to kill him but Breznitz wouldn't stop until he reveals the shocking truth...
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Despite the film’s efforts to reframe its heroine with modern complexity, a certain emotional distance lingers.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
An impressive narrative structure, a perfect use of the continuous shot technique, and great interpretations make "Boiling Point" one of the best films of 2021.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
