The Ghost (2023)
Two Korean sisters must save their family after a ghost tears the family apart.

Danny Breznitz, late 40s, a detective in the Tel Aviv Police, is hospitalized following a near-fatal car accident. His relationship with his sexy mistress, Eva, early 30s, is falling apart, and his obsession with her is pushing Eva even further away. Living in the same apartment with Ruthie, his wife, are the only remains of their childless marriage. Following convalescence, Breznitz is handed an insignificant case by his hostile superior which he considers beneath him. But when an unknown body is found in the woods, and nobody cares, Dani finds a cause he can believe in. He makes a tour-de-force of Israel's "low- life" – an Arab intellectual who wants to admit to a murder he has not committed, a prostitute turned hairdresser, a pimp who poses as a born-again Jew, a homosexual artist who was excommunicated by his parents. The journey becomes an obsession that threatens to kill him but Breznitz wouldn't stop until he reveals the shocking truth...
Two Korean sisters must save their family after a ghost tears the family apart.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
"Beef" is a new dark comedy with a near entire Asian-American cast
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.