Juan Conte is a world-renowned spokesman of the new atheism. After suffering a heart attack, he receives a transplant and a change in his personal life begins, opening up to the possibility of being in a couple for the first time. Juan will go on a journey of horror and pain, in which his vision of reality will be put to the test.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
