Guillermo del Toro's Pinocchio
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.

Young Gabriel worries about forgetting his late father’s face; Isabel, a single mother, frets about her son and how she will make ends meet; Firmino questions his sense of belonging after losing his garden which he considered his portal to Cape Verde. The lives of Gabriel, Isabel and Firmino intertwine in Nuno Boaventura Miranda’s The Last Harvest. Miranda offers an intergenerational portrait of a Cape Verdean community and diaspora living in Lisbon as they grapple with questions of identity and a shared longing for connection.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
The fun tricks used in the production design and lighting read extremely well on-screen but hardly fulfill their purpose of trying to inject glamour into a lack-luster story with nothing to say.
A group of criminal animals tries their best to reform themselves into good citizens to avoid serving time in prison.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.