Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

An action crime comedy about a working class Brit named "Roger" who wants to be King- Literally. The likes of a Turtleneck Philosopher, a Jawbreaker-Eating Sleaze-Bag, and a Homosexual Psychic throw Roger's world into chaos when he and his gang of misfits decide it'd be "quite alright" to rip off the most vicious man in London.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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