A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

This documentary film follows the journey of former student activist and current political staffer Chen Ting-hao after his decision to escape the cynical politicism of Taipei City to the political backwater of Matsu, an island group administered by Taiwan less than a dozen kilometers off the coast of China. The narrative follows Ting-hao as he reflects on how his political idealism fits in with everyday political reality and ponders Taiwan’s complex political landscape, Taiwan’s relations with a meddlesome yet surprisingly indifferent China, and the perspectives of Matsu residents on Taiwan-China affairs.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
A teen comedy that nobody wants to see.
If you want to feel the rush, you have to take the risk.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.