The Ironmaster 

We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.

Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.

Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.

The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.