Is She The Suitcase Killer?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.

"Although hundreds of disturbing paranormal events occur every year, most of these chilling encounters go unreported - until now. Bear witness as hapless victims experience the unspeakable terror of confronting demonic forces, murderous poltergeists and other evil entities that are dead set on claiming their souls. Descend into an abyss of waking nightmares as these bloodthirsty, malevolent spirits seek to possess their prey and drag them-kicking and screaming-down to hell."
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.