Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Invisible Man poster

The Invisible Man (1933)

After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


After experimenting on himself and becoming invisible, scientist Jack Griffin, now aggressive due to the drug's effects, seeks a way to reverse the experiment at any cost.

Rating:NR
Genre:Horror, Science Fiction
Directed By:James Whale
Written By:R.C. Sherriff
In Theaters:10/31/1933
Box Office:$27,105
Runtime:71 minutes
Studio:Universal Pictures

Cast


Director

James Whale

Director

noImg
cast

Claude Rains

Dr. Jack Griffin

cast

Gloria Stuart

Flora Cranley

cast

William Harrigan

Dr. Arthur Kemp

cast

Henry Travers

Dr. Cranley

cast

Una O'Connor

Jenny Hall

cast

Forrester Harvey

Herbert Hall

cast

Holmes Herbert

Chief of Police

cast

E. E. Clive

Constable Jaffers

cast

Dudley Digges

Chief Detective

cast

Harry Stubbs

Inspector Bird

cast

Donald Stuart

Inspector Lane

Articles You May Like


The Rise of Skywalker, the Fall of Rey

It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.

Andrew Stilson

'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger