‘A Quiet Place’: One of the Best Modern Horror Movies
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.

Marc wakes up tied to a chair. He has been kidnapped by a mysterious character who calls himself Ikki. This character wants Marc to confess all his sins, which seem to go beyond being a monotonous family man. Then a game of chess begins in which their own lives are at stake, in a duel of identities, mysteries and secrets. A game of cat and mouse where it is never clear who is the cat and who is the mouse.
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.