Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Inbetweeners 2 poster

The Inbetweeners 2 (2014)

Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it’s 'the sex capital of the world'. With their lives now rather dull compared to their hedonistic school days and legendary lads holiday, it’s an offer they can’t refuse.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Neil, Will and Simon receive an invite from Jay to join him in Australia whilst on his gap year, who promises them it’s 'the sex capital of the world'. With their lives now rather dull compared to their hedonistic school days and legendary lads holiday, it’s an offer they can’t refuse.

Rating:R
Genre:Comedy
Written By:Damon Beesley, Iain Morris
In Theaters:8/6/2014
Box Office:$63,852,235
Runtime:96 minutes
Studio:Film4 Productions, Zodiak Rights, Bwark Productions, Zodiak Media UK, Prep Shoot

Articles You May Like


Think You Know Pirates? Watch The Bluff

The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.

Jo Moses

'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger

Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik