Parasite and Capitalism: What the Film Says About the Pursuit of Wealth
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Set in the Joseon Period, three beautiful musketeers fight against a powerful group who tries to overturn the royal family and gain absolute power. The leader of the Beautiful Three Musketeers is Jin-ok, a smart and righteous woman. Hong-dan is the only married woman among the three women. Ga-bi is the youngest among the musketeers and excels at fighting.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
A teen comedy that nobody wants to see.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
By depicting 4 different stories, Director Sergio Tovar Velarde keeps the focus on the shared humanity and search for love (both self and romantic) of various gay Mexican men.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.