The House of Hate (1918)

An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.

We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.

Intergenerational friendships and community can be so powerful, and this was a great example.

Joker is a compelling, character-driven, psychological tale that has a message behind the madness.

The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.