The story follows the aftermath of the death of an old man, the body of whom is brought back to his home where he lived with only child, Sayeh (Mohadeseh Heyrat). Sayeh is made responsible for organising the funeral that, according to the religion, should happen as soon as possible. While the house is packed with relatives who are ready to follow the rituals, Mr. Ahmedi (Gholamreza Bagheri) from the university hospital delivers the will of the dead man, which states that his body should be donated to the autopsy room of the medical college. Sayeh should follow her father’s wishes, but she doesn’t agree.
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
Disney movies have taken a bit of a downward turn recently. How come?
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
Acutely funny and always well-intentioned, Last Week Tonight has a lot of heart for a satirical-news program.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
