“Supergirl” is like, fine, or whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

A group of travellers, each with a personal problem that they want to hide, arrive at a mysterious Welsh country inn. There is a certain strangeness in the air as they are greeted by the innkeeper and his daughter. Why are all the newspapers a year old? And why doesn't Gwyneth seem to cast a shadow?
Supergirl is a decent movie, anchored by great action scenes and a great lead performance
A smashing sequel to the first Sonic the Hedgehog film that also brings back elements from the popular video game series.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Renee Zellweger shines in this Judy Garland biopic, which highlights the pain and loneliness that so many famous women endure.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.