Sofía, a young girl, has cancer. Her friend Antonia comes to see her and accompany her in her apartment. Sofía seems to avoid the illness, not wanting to face it, but Antonia is reluctant to let this happen. Between them a strange and ambiguous link emerges, conditioned by the weight of the situation they are facing. However, Sofía hides a secret. When Antonia reveals it, as harsh as it seems, things won't be settled.
The singer recounts the memories of writing and creating her record-breaking debut album and shares her feelings as a young woman navigating a specific time in her life.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
It is the attention to detail that makes Wolfwalkers resonate more than Luca for Queer representation
Films can alleviate alienation by presenting realities where the viewers feelings are shared by onscreen characters. 'The Little Mermaid" film can be interpreted as a transgender story.
