Produced by small-scale firm Peerless, this silent melodrama told the ancient story of the girl whose refusal to "put out" loses her a chance for stage prominence.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.
