Grief, Fate, and Destiny in 'Wolf Like Me'
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
The Girl from Chicago (1932)
An undercover government agent on a case in Mississippi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
An undercover government agent on a case in Mississippi meets and falls in love with a beautiful young woman who's being menaced by a local crime boss.
Rating:
Genre:Crime, Drama, Music
Written By:Oscar Micheaux
In Theaters:3/14/1932
Box Office:
Runtime:71 minutes
Studio:Micheaux Picture Corporation
Cast
Oscar Micheaux
Director
Carl Mahon
Alonzo White
Starr Calloway
Norma Shepard (as Star Calloway)
Alice B. Russell
Miss Warren
Eunice Brooks
Mary Austin
Minto Cato
Minnie, Mary's sister
John Everett
Jeff Ballinger
Frank H. Wilson
Wade Washington
Cherokee Thornton
A "Snitch"
Grace Smith
Liza Hatfield
Edwin Cary
Conrad, the numbers man
Juano Hernández
Gomez
Articles You May Like
'Home Sweet Home Alone' (2021)
A boy named Max experiences adventure within his own house while staying home alone.
Is Love Blind? No! I Don't Think It Is.
Love is Blind Season 2 is the perfect reality show to tie a viewer over until the next season of Bridgerton. Check out Love is Blind Review Season 2
'Being the Ricardos': A Match Made in TV Heaven
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
The Crown Assuages White Guilt
Americans love the British monarchy. This may seem confusing because only a few short hundred years ago they were our worst enemies, and every year we celebrate our independence from them. The Crown humanizes the monarchy, which might explain its popularity.
'RRR': A Blockbuster of Spectacular Yet Predictable Proportions
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.