Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Fourth Horseman poster

The Fourth Horseman (1932)

Retiring from a life of train robbing, Benjamin R. Jones takes over the ghost town of Stillwell, knowing full well that the property belongs to Molly O'Rourke. Enter horse wrangler Tom Mason, who smells a rat and does his best to unmask Jones as the crook he knows him to be. Molly at first falls for Jones' scheme, but confronts him when a general feeling of lawlessness sets in. The villain, alas, has an ace up his sleeve: Molly owes back taxes on her property, which is ripe for a takeover.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Retiring from a life of train robbing, Benjamin R. Jones takes over the ghost town of Stillwell, knowing full well that the property belongs to Molly O'Rourke. Enter horse wrangler Tom Mason, who smells a rat and does his best to unmask Jones as the crook he knows him to be. Molly at first falls for Jones' scheme, but confronts him when a general feeling of lawlessness sets in. The villain, alas, has an ace up his sleeve: Molly owes back taxes on her property, which is ripe for a takeover.

Rating:NR
Genre:Western
Directed By:Hamilton MacFadden
Written By:Jack Cunningham
In Theaters:9/25/1932
Box Office:

Runtime:57 minutes
Studio:Universal Pictures

Articles You May Like


Mississippi Masala: A Romance that Interrogates Racism from Within and Without

Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.

Andrea Kreidler

Reclaiming Her Body: "Jennifer’s Body" & Why We Need Diverse Storytellers

The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.

Aspen Nelson