In 2007 Queens Park Rangers, a small Football Club of West London, were bottom of England's Second League and 2 hours from bankruptcy. Just as the club faced liquidation, they were bought by billionaire businessmen. Filmed in an observational fashion from a poetic distance, the documentary follows the larger than life and high profile characters who put their money and reputations on the line through 4 tumultuous years of enormous ups and downs. For 98 dramatic minutes we are given unprecedented access and remarkable insight into the worlds of sport, business, finance, power and ego - culminating in success in 2011, when QPR won promotion to the Premier League and the four year plan - set out by the owners in 2007 - was spectacularly achieved.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Rules are nowhere to be seen in the harsh unfiltered reality of ‘Fair Play.’
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
