Struggling musician Nomi accepts a last-resort job from her overachiever best friend Mara: mentoring misfit campers, the “Floaters,” at their childhood Jewish summer camp. As the camp struggles to survive amidst competition with a longtime rival, Nomi, the Floaters, and Mara must overcome their differences to bring the community together and save the camp.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
A dynamic journey of self-acceptance and identity.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
