Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Stathis Xetrypis, a naive policeman patrolling in an area frequented by prostitutes. As not yet enough, the commander, to confer the protection of Elsa, a secret policeman, trying to find a gang of drug dealers.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
It’s dark, uncomfortable, and there are things that don’t make sense.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.