A behind-the-scenes retrospective made for the twenty-fifth anniversary of the classic horror film, The Exorcist. Includes interviews with Linda Blair and the other stars of the film, along with commentary from the director and writer on some of the deeper meanings behind the elements they used to terrify their audiences, and previously unreleased footage including make-up tests and deleted scenes.
Nick Freand Jones
Director
Mark Kermode
Self - Presenter
Ellen Burstyn
Self - Chris MacNeil
William O'Malley
Self - 'Fr. Dyer'
William Friedkin
Self - Director
Max von Sydow
Self - Father Merrin
Linda Blair
Self - Regan
William Peter Blatty
Self - Author & Producer
Thomas Bermingham
Self - Technical Advisor
Jason Miller
Self - Father Karras
Terence A. Donnelly
Self - Assistant Director
Bill Malley
Self - Production Designer
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
'Bodies Bodies Bodies', the latest from indie powerhouse studio A24, is a great time. Full of dark comedy laughs, great performances, and genuine scares, it's a perfect addition to modern slasher classics.
The latest installment in the beloved media franchise is a unique stylized mesh of humor and heart.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.