Walk. Ride. Rodeo. Reveals Amberley Snyder's Success
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.

Bob and Greta De Jaegher are happily married for 40 years. They can look back on a rich and fulfilled life. Their 2 sons Steve and Carl have a successful life as well. Steve is a talented and recognized film-director and Carl is a promising cook. Steve's wife Billie wrote a bestseller about happiness and wants to start a family with her husband. Brother-in-law Rik, who works at the zoo, tries to pick up his life with his kids, after his wife died two years ago. To mark their 40th wedding anniversary, Bob and Greta organize a family weekend. They want to announce something very important. Their new plans are a sure hit for the family De Jaegher, but that's not the only thing - What had to be a cheerful gathering of the family, turns out to be something nobody expected.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
This romance movie has strong representation of Taiwanese people.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
Moonlight is a film that will certainly be remembered for how it won Best Picture, but the movie itself should be known for its excellent representation of one of the most underrepresented groups in film: Black, gay men.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.