The Heroes of "Hustlers"
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.

In this melodramatic French Canadian comedy-drama, a sexy male escort sashays into the living room and life of a gay man and proves to be the catalyst for turmoil. Until Steve showed up to strip as a birthday present, the life of lovers Jean-Marc and Phillipe had settled into a comfortable but passionless rut. Jean-Marc is alone at the time and has sex with Steve. Later that night, Steve tries to change a light bulb and falls, causing his friends to jump to the conclusion that he tried to kill himself. Soon Phillipe too gets involved with Steve. Finding Steve a tonic to his doldrums, Phillipe begins pursuing a real relationship with him. Steve then proves to be a troubled character who is involved secretly with another man who has been diagnosed with HIV. The problem stems from the fact that the mystery lover is none other than Phillipe's dearest friend. Matters are complicated by Nathalie -- who secretly loves Phillipe -- and by his recently divorced mother.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.