‘Booksmart’ Movie Review: A Fun Coming-of-Age Comedy
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.

Before shady businessman John Singer disappeared off Bondi Beach, his name meant money--big and small, clean and dirty--a man absorbed in a world of greed and dishonesty. Singer's widow, Marion, believes he's still alive and she employs the investigative skills of the tough, no-nonsense private eye, Cliff Hardy to find him. Battered and bruised, Hardy battles through the filth of corruption and the stench of political blackmail. He comes face to face with the crime bosses, who feed off human misery and eliminate their rivals without thinking twice. From the high life and low life of Sydney, to the seediness and splendour of Bondi Beach, Cliff Hardy uncovers the ultimate truth.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
All in all, “Event Horizon” is a cinematic misfire, begging to be perfected in the future. While it possesses an array of admirable visuals, the film leaves much to be desired. If only we could see Anderson’s preferred cut, which featured more character development and tortuous imagery. In the meantime, I have a catchphrase for this film: In space no one can hear you snore.
Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.