'Fair Play'(2023) and Feminine Rage
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.

Recorded live at the Greenwich Theatre, London. The Duchess of Malfi is a popular choice as a set text, despite (or perhaps because of) the violence and horror of its later scenes. Generally considered to be the masterpiece of Jacobean playwright John Webster, it was first produced in around 1613. It's a macabre tragedy, based on actual events, and tends to be loved or hated by critics while consistently captivating audiences across the centuries. Set in Italy in the early fifteenth century, it starts out as a love story, with the Duchess marrying beneath her class. However, her two brothers, one cool and corrupt, the other violent and warped, have other ideas. With incredible plot twists along the way, the play ends as an utter tragedy, as the brothers take revenge on her, destroying themselves in the process.
This thrilling film about feminine rage and male hostility is an incredible depiction of the fragility of the male ego.
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
Prajdnik Awasthi’s film uses a mix of metaphor and more grounded details to tell the story of childhood sexual abuse that caused the narrator to close himself off from his father.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary
La Bola Negra is an achievement worth praising and worth seeing.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.