“Digger” or, How I Learned to Stop Worrying and Love the Way You Lie
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.

Long considered lost footage, this exceptional concert, which originally aired April 14, 1968, on the BBC, is a full-colour performance of Edward Elgar’s The Dream of Gerontius recorded inside the stunning Canterbury Cathedral and featuring three of the greatest voices of the era: mezzo-soprano Dame Janet Baker, tenor Sir Peter Pears, and bass-baritone John Shirley-Quirk. Conducted by Sir Adrian Boult, ardent champion and esteemed interpreter of Elgar’s works, this concert film — which required eight of the nine existing colour cameras in the UK at the time — constitutes a rare and treasured artifact marking the beginning of high-quality colour footage of British operatic productions.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
Netflix’s recent "Enola Holmes 3" is a disappointing and confusing entry in the stellar "Enola Holmes" franchise.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
Pose tells stories of queer joy and love in a time of intense hate and sadness.