"The World to Come": A Stunning Period Romance
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.

The story revolves around Hassan, who is studying Arabic calligraphy from a grand master. Coming across a manuscript fragment, Hassan searches for the missing pieces, believing that once he finds them, he will learn the secrets of love.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.
With This is Us now on its fifth season and A Million Little Things on its third, we have a lot of material to entertain the hypothetical: if these two shows got in the ring together, who would come out victorious? Despite the endless recognition for the former’s success, I dare say I’d put my money on A Million Little Things once all is said and done.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.