A Refusal to Comply: The Films of Lynne Ramsay
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.

Ethel Vandiver and her friend, Marie Le Farve, arrive at the former's country home. Ethel's father objects to her seeing Douglas, whom he thinks is a sweetheart. But, unknown to her parent, Ethel has married Douglas a year before. The day on which she arrives she receives a letter from her husband stating that he would rather see her dead than be separated from her any longer. A few hours later Marie is found dead in Ethel's room.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
An attempt to capture nostalgia that unfortunately just doesn’t work
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.