Summer 1949: end of the civil war in Greece. The last band of guerrillas of the Democratic Army is forced to abandon Mount Taygetus and to head for the sea. Everything behind them has collapsed and they can count on help from no one. In this long, desperate and aimless march, the group will end up by being annihilated by the National Army and the armed villagers.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
The Noel Diary is about a man who unlocks an old diary containing secrets of the past.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
