Passionate and Undying, Love Needs No Language in The World to Come
"There is something going on between us that I cannot unravel."

Struggling debt collector, Jefri, awaits the birth of his second child with Ella in her 8-month pregnancy. Haunted by the loss of their first child, their high hopes for the baby’s arrival. When complications arise, they unknowingly turn to an illegal maternity clinic run by a twisted doctor and nurse couple, Iwan and Sandra. Jefri and Ella must fight for their survival as the clinic sacrifices unborn children to demonic forces. A terrifying night of damnation ensues, with them battling the survival of Ella and their unborn child from the clock-ticking and unexpected horrors.
"There is something going on between us that I cannot unravel."
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.
Digger is a smart film, one that takes what could have been a “seen it before” message and gives it new life.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.