The Curious Case of Benjamin Button (2008)

Tyler Perry's Straw wasn't about big, loud action scenes. Instead, its deep impact came from a constant, quiet pressure – the kind that slowly squeezes a person until they feel like there's nothing left to hold onto. It was a heavy feeling, shown in every part of the movie, making it feel real and far from a made-up hero story.

David Fincher is back in his playpen, tinkering with all the dark and chilling elements that, let’s admit, are his specialty. There is the stylistic departure of Mank, a production Fincher was especially invested in because the screenplay was written by his late father. It was a comedy-drama and, along with The Curious Case of Benjamin Button, are the only Fincher features up to this point to not be of the horror and suspense genre.  One might have consider it something of a biopic of Herman Mankiewicz, the writer of Citizen Kane. Even better, Fincher is back collaborating with Andrew Kevin Walker, who wrote Se7en.  The Killer is much different however, thankfully.  We do not need another Se7en.  

The characters that made the cut are in essence — girls that kick butt, challenge stereotypes/gender norms, and are just in general, great characters to begin with. Who says a girl can’t have some spunk?

Matilda is a special girl with telepathic powers and a brilliant mind for her age. She frequently stands up to her ruthless principal and parents with both her smarts and psychic abilities.