Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Brian Cruver, an ambitious 26-year-old lands a job at Enron. As he assimilates to the company's get-rich-quick mantra, spending sprees and wild corporate "gatherings" become the norm. But when Enron files for bankruptcy, Cruver discovers he's just a pawn in a failing game of corporate greed--one that made the rich richer...while the rest lost everything.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
‘The Bear’ Season 2 has all the right ingredients for both comedy and drama.
This coming-of-age movie is about a group of girl trying to find their missing friend after a wild night none of them can remember.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.