The Covenant (2006)

Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7

What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.

"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.

This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.

Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes

Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.