Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
The Count of Days (1973)
The film is seen as though upon and through the structure of its spiritual partitions. One might say that there are three elements or levels to the images: narrative, descriptive or analytic, and abstract. "The film is seen as though upon and through the structure of its spiritual partitions. One might say that there are three elements or levels to the images: narrative, descriptive or analytic, and abstract. The Count of Days is not an account so much as an accounting of the essence of the days in which three separate persons are related at points … a penetration through the masks and habits of these days to reveal the nature of the charade and the arena in which it is enacted." (Tom Chomont, Film Culture)
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The film is seen as though upon and through the structure of its spiritual partitions. One might say that there are three elements or levels to the images: narrative, descriptive or analytic, and abstract. "The film is seen as though upon and through the structure of its spiritual partitions. One might say that there are three elements or levels to the images: narrative, descriptive or analytic, and abstract. The Count of Days is not an account so much as an accounting of the essence of the days in which three separate persons are related at points … a penetration through the masks and habits of these days to reveal the nature of the charade and the arena in which it is enacted." (Tom Chomont, Film Culture)
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In Theaters:9/7/1973
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Runtime:43 minutes
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