What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Over the top personalities and mayhem ensue in this quirky comedy about on-going sex scandals at Rain's church. There's a new pastor in place, but it's pretty clear from the get go that not everyone is quite ready to move on from the trauma and the drama of the past.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
Rather than following in the footsteps of poorly made horror flicks, “The Quiet Place” follows original concept.
'The Suicide Squad' is at its best when it focuses on its characters and commentary on real-life issues, but stumbles when it relies too heavily on gratuitous gore and insensitive humor.
I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.