Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Sylvain Berg, a "professional" unemployed who spends his time hiking and mountain climbing, and "model" bank employee Benoît Constant, who has just been fired and does not want his wife to find out, both find themselves in Françoise Duru's office at an employment agency. Françoise is secretly in love with Sylvain, so in order to keep him close she convinces her employer to give Sylvain a job he doesn't want, instead of Benoit who not only wants it but also has the right qualifications.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
An adventure that centers on freedom and captures viewers' hearts.