"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Ae-rang is a celebrated gisaeng who has the ability to knock out any man in the world with the flick of her hand or skirt and in the blink of an eye. She's got the men eating out of her hands with bedtime techniques that no one else knows about. One day, an impregnable man who won't date anyone is assigned to her village. The magistrate and Ae-rang secretly bet that she will or won't be able to have him begging for her.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
WandaVision is already proving to be a huge success.
Welcome to a special episode of the Incluvie Movie Highlights. This summer we held the Incluvie Short Film Festival. The film festival discovers and brings to light some outstanding short films starring main characters from diverse backgrounds, who are often overlooked in Hollywood. The filmmakers and actors from the 3 winning films came in and talked about their process and what it was like to make the film.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.